Advanced Digital

June 21, 2025

Join a small group of people passionate about photography for a deeper dive into your camera in one Saturday hands-on session. This workshop focuses on an in-depth approach to designing the composition considering the subject matter, the importance of light for creating depth and volume in the image, consideration of shared cultural symbols and most importantly, finding one’s creative voice. We also make time for a live model shoot with advanced image processing in LightRoom Classic, making the necessary global adjustments and using AI based masking for local corrections. A review of participants images in a group discussion based in a supportive atmosphere rounds out the day.

For photographers with less experience this workshop opens up the world of composition and light, those with more experience will gain insight into their personal vision with a thread of interest connecting their past and future work.

When & Where

  • Saturday, June 21, 2025
    10:00AM to 6:00PM


    The Cedars Union
    An incubator for the arts adjacent to Old City Park - 1219 S Ervay St, Dallas, TX 75215

    Free Parking in the lot on North Side of Building

Registration:

  • Registration is $240.00 - includes lunch.

  • Advanced registration and payment required

What to Bring:

  • Camera with controls: Mirrorless or DSLR and
    one or more lenses

  • Fully charged battery

  • Memory card

  • A method of note taking

What you Learn:

  • Composition: An in depth look at many examples of composition with a group discussion highlighting the strengths and weaknesses of the examples shown. up for discussion is:

    Rule of Thirds or Symmetry

    Shape and Form

    Balance by Shape or Color

    Figure and Ground

    Leading Lines and Perspective

    Selective Focus

    Frame Within a Frame

    Lighting and Chiaroscuro

  • Framing the Image:
    A major part of composition, it is also worthy of consideration. To frame an image is to select a particular thing to highlight while excluding other things. Be it a literal representation of the world, a symbol/metaphor standing in for something else what is included/un-included can completely alter the context of an image and thus its meaning.

  • Seeing Light
    A discussion of the two main qualities of light: Specular & Diffuse. Specular light, like sun light creates a sharp shadow and is perfect for showing texture when raked across a surface. Great for objects and architecture but problematic for portraits. Diffuse light creates a very soft shadow with smooth highlight rolloff, ideal for skin tones and highly reflective objects. We consider how and when to use both.

    The importance of the direction of the light source: frontal, raking and backlighting is discussed.

    The technical, emotional and aesthetic effect of light and how use it effectively to create the image in your minds eye.

  • Cultural Symbols:
    Everything can be interpreted differently. A picture of an item is a stand-in for the item. It can also be seen as something else, a feeling or a metaphor. When viewing a picture we start by recognizing items in the image and we name them, we see a pick-up truck in front of a tree with a cloudy sky behind. What we see in our minds and the language we use to describe items are symbols, mental stand-ins for the objects. Everything we understand about an image is based on the symbols. Symbols are interpretations. We build our understanding of the world from a sphere of interconnected interpretations. The culture we live in has agreed upon the importance of some symbols, cultural symbols that are important.

  • While decoding the image we add interpretations for our past experience to understand what the image means to each of us. We create stories from what we know.

  • Post-Production
    A closer look at Light Room Classic and how to use it to make global changes and local changes via AI based masking.


What to expect:

A small class purposely designed for instructor interaction taught in the Cedars Union, an incubator for the arts adjacent to Old City Park.

Maximum number of students is 12.
Minimum number to make a class is 6.

Workshop Includes:

  • Lunch, soft drinks and water included

  • Classroom lectures and hands on shooting

  • The instructor will tether a camera to the computer for demonstrations and be available with a knowledgable assistant to answer questions

  • Shooting exercises with your camera in a safe learning environment

  • A photo session with models is to practice all you have learned.

  • Model fees for the afternoon shoot are included

  • Introduction to Post Production in Adobe Lightroom

  • A slide show of the participants images created in the model shoot with a discussion of composition, lighting and intentionality

FAQs

Q: If I am attending the workshop with my friend/spouse/sibling, do we each have to register for the class, even if we only have one camera?

A: Yes, each person attending the workshop must register for a seat.

Q: What if I have to reschedule or cancel?

A: Reschedule & Cancellation Policies:

  • Reschedule up to 7 days prior to scheduled class: no charge for changes

  • Reschedule less than 7 days to scheduled class:
    $25.00 administration fee

  • Cancellation up to 7 days prior to scheduled class: 50% refund minus $25 administrative fee.

  • Cancellation less that 4 days to scheduled class: no refund

Q: What kind of camera is best for these workshops?

A: The classes are geared toward Digital Single Lens Reflex or Mirrorless cameras with controls for exposure and focus similar to cameras below:

  • Canon DSLR EOS 1DX, 5D series, 6D, 60D, 70D, 7D 90D, Rebel T2, T3, T4, T5, series

  • Canon Mirrorless R5, R3, R6, R7, R8, R10, RP

  • Fuji GFX, X-42, X-Pro, X-T5, X-T4, X-S20, X-510, XT-30, X-E4

  • Leica M Series, V-Lux, D-Lux, SL2, Q2

  • Nikon DSLR D3000, D5000, D7000, D600, D6, D780, D850, D7500, D5600, D3500, D5, D5500, D750, D7200, D5300 D700, D800, DF, D810 or the D4 series.

  • Nikon Mirrorless Z9, Z8, Z7, Zf, Z6ll, Z6, Z5, Zf6, Z50, Z30

  • Panasonic Lumix S5, S1, G9, G95, G100

  • Pentax 645Z, K-1 Series, K-3 Series

  • Sony Alpha Series, A9 Series, A7 Series, A1 Series, A6000 Series

  • More cameras are appropriate to the course if they have controls for exposure and autofocus, Click here for info